Winter decided to make up for the snow deficit of recent years past and took a massive frozen powdery dump on my part of the country. For awhile, getting out of the house meant shoveling back-breaking clumps of snow and ice into piles whose sizes rivaled the cars next to which they now reside, slowly decomposing in the sun. The elation from days off from work and school, from structured, mandatory life is a short-lived freedom, especially when the moment one makes the sobering realization that snow days are mere postponements of inevitable work which one must later engage in completing.
Fortunately for me, I discovered yet another pay-per-view station show that is among the greatest and consequently most addicting episodes of fiction of which I have had the pleasure of viewing. Dexter, in his ongoing efforts to satiate his need to kill and live up to his father's code, reminded me that in all of us lies a darkness that we struggle to control or even just come to terms with. Now begins a stage where I will most likely put Dexter out of my mind for several months until it returns with new episodes to continue the story.
In the meantime, I've acquired a sudden renewed interest in mixtaping, specifically in finally making some progress on my Nightclub/Lounge-inspired mix by merging it with another mix I was cultivating drawing on delicate songs with subtle organic beauty. Acoustic guitar, gentle piano, and careful tapping, topped off with gorgeous, sometimes forlorn, but always honest lyrics. "Nightclub Jitters" (The Replacements) fits in perfectly, but I'm concerned "Touch Me" (The Doors) and "Does Anybody Really Know What Time it is?" (Chicago) are too abrasive and bombast to sit alongside tender gems like "My Heart is an Apple" (The Arcade Fire) and The Airport Song (The Byrds). On a positive note, the merging of themes makes Lived in Bars (Cat Power) an ideal candidate for this blend. I'll post the finished mix when it eventually coalesces into what every mix should be: greater than the sum of its parts.





